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    <loc>https://www.cleroux.com/flaneurs-journal</loc>
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    <priority>0.75</priority>
    <lastmod>2026-04-23</lastmod>
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  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/the-quiet-language-of-silhouettes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-29</lastmod>
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      <image:title>Flâneur’s Journal - The Quiet Language of Silhouettes - Portal of Light</image:title>
      <image:caption>© Jean-Francois Cleroux | NYC, NY, USA A high‑contrast black‑and‑white photograph frames a lone figure in silhouette as they pass through riveted glass double doors set within ornate metalwork; the bright, bustling street beyond—pedestrians and traffic reduced to luminous suggestion—forms a dramatic threshold between interior shadow and urban light, emphasizing movement, transition, and the graphic interplay of frame and negative space. An odd‑numbered grouping of elements (Rule of Odds), used with the rule of thirds, lends the composition a deliberate balance, yet the image reads slightly off‑kilter: the dark weight of the right edge, the subject’s placement, and their gaze to the right draw the viewer’s attention away from the glass panels and the street activity on the left creating slight tension.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69996628ec0bd71c0e85cb73/14f0abd6-53ee-4e7d-b9a2-26c177c6bf58/FrancoisCleroux_Paris_2022_02.jpg</image:loc>
      <image:title>Flâneur’s Journal - The Quiet Language of Silhouettes - Crystalline Threshold</image:title>
      <image:caption>© Jean-Francois Cleroux | Paris, France A glass pyramid breathes light into a grey Parisian sky, its geometric skin catching the city’s hush; three dark figures stand like punctuation against that crystalline plane—one poised, one central and still, one lifting a camera—each silhouette a small, private story set against the museum’s monumental calm. The scene reads as a study in thresholds: modern glass against classical stone, motion against stillness, and the quiet choreography of strangers whose outlines, reduced to pure shape, ask the viewer to supply names, gestures, and histories. How lens compression defines scale and relationship: Lens compression—produced by using a longer focal length from a greater distance—flattens perceived depth and brings background and foreground visually closer, which in this frame does three useful things: it shrinks the apparent gap between the pyramid and the façades behind it, it narrows the spatial separation among the three figures so they read as a cohesive group rather than isolated points, and it magnifies relative size differences so the nearest silhouette feels more prominent without overwhelming the composition. In practice, compression makes the central and right figures appear more tightly related to the pyramid’s planes while the left figure, if slightly offset, becomes a counterpoint rather than a distant afterthought—the result is a compressed, almost cinematic layering where scale becomes a tool for emphasis rather than a literal measure of distance.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/creative-growth-and-the-art-of-seeing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-24</lastmod>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/the-evolving-street-photographer-part-1-evolving-library-of-inspiration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69996628ec0bd71c0e85cb73/ceb50073-6699-4ffc-9577-ea84cadbd04a/Henri+Cartier-Bresson+001.jpg</image:loc>
      <image:title>Flâneur’s Journal - An Evolving Library of Inspiration: Photographers Who Shape My Way of Seeing - Hyères, France</image:title>
      <image:caption>© Henri Cartier-Bresson — Hyères, France. 1932. | Magnum Photos Cartier‑Bresson was standing at the top of a spiral staircase, looking down at the elegant curve of the railing and the cobblestone street below. What struck him first wasn’t the cyclist — it was the geometry. The composition came before the subject. He framed the scene, fixed his position, and then — crucially — waited. He knew that the photograph needed a human presence to activate the composition, to give the geometry a sense of life and motion. So he held the frame, anticipating the right moment. Eventually, a cyclist entered the scene, and Cartier‑Bresson released the shutter at the exact instant the rider aligned with the curve of the staircase. This is one of the earliest and clearest examples of what he later articulated as the decisive moment — not luck, not reaction, but preparation meeting patience.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/the-evolving-photographer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69996628ec0bd71c0e85cb73/9ead413c-0d09-4e0c-bea4-ee2f12a04454/Jean-Francois_Cleroux-_JFC5514.jpg</image:loc>
      <image:title>Flâneur’s Journal - The Evolving Photographer - Make it stand out</image:title>
      <image:caption>© Jean-Francois Cleroux</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/within-the-frame-tension-in-transit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69996628ec0bd71c0e85cb73/716dc774-899a-4f0a-898f-cd0b9ae67c03/CLEROUX_JEAN-FRANCOIS_-4498.jpg</image:loc>
      <image:title>Flâneur’s Journal - Within the Frame #02: Tension in Transit - Make it stand out</image:title>
      <image:caption>© Jean-Francois Cleroux | Vancouver, BC, Canada</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/why-a-good-image-title-matters</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69996628ec0bd71c0e85cb73/aac9ce1b-85e7-4082-9ff2-8d3ee3875f14/JC1264.jpg</image:loc>
      <image:title>Flâneur’s Journal - Why a Good Image Title Matters - Ledger of Small Things</image:title>
      <image:caption>This image of two men arguing along the banks of the Seine was one of those perfect serendipitous moments. I boarded the short river cruise expecting little more than a few photographs of the Eiffel Tower, but the river had other plans. The banks were alive with scenes—people sunning themselves, others reading, teenagers gathering for a drink. Then came these two men, locked in a loud argument. As I raised my camera, one of them made a hand gesture shaped like a gun, and the other’s eyes widened in response. Behind them, almost absurdly gentle in contrast, a young hand held up a small plant—an accidental symbol of peace against the tension of the moment. These varied, unlooked‑for collisions of gesture and meaning are what make street photography so endlessly surprising.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69996628ec0bd71c0e85cb73/a42b9740-77e4-40e9-907f-183c8949dad5/Frame%26Verse1920.png</image:loc>
      <image:title>Flâneur’s Journal - Why a Good Image Title Matters - Issue #03 - May 2026</image:title>
      <image:caption>Look for Frame &amp; Verse #003 the first week in May for an extended exploration of the importance of image titles.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/what-the-image-keeps-silent</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69996628ec0bd71c0e85cb73/e9563e9a-b13d-437c-bb21-42b17d69d03b/Jean-Francois_Cleroux-5106-2013-2.jpg</image:loc>
      <image:title>Flâneur’s Journal - What the Image Keeps Silent - The Listening Room</image:title>
      <image:caption>This image of two men arguing along the banks of the Seine was one of those perfect serendipitous moments. I boarded the short river cruise expecting little more than a few photographs of the Eiffel Tower, but the river had other plans. The banks were alive with scenes—people sunning themselves, others reading, teenagers gathering for a drink. Then came these two men, locked in a loud argument. As I raised my camera, one of them made a hand gesture shaped like a gun, and the other’s eyes widened in response. Behind them, almost absurdly gentle in contrast, a young hand held up a small plant—an accidental symbol of peace against the tension of the moment. These varied, unlooked‑for collisions of gesture and meaning are what make street photography so endlessly surprising.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/photowalk-saturday-april-18-2026</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-01</lastmod>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/micro-missions-for-better-seeing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69996628ec0bd71c0e85cb73/a36e29b5-2f50-4262-87a8-5a047dc0824e/Jean-Francois_Cleroux-_JFC5490.jpg</image:loc>
      <image:title>Flâneur’s Journal - Micro‑Missions for Better Seeing - A Quiet Contract</image:title>
      <image:caption>Two hands meet at the frame’s center like a small, deliberate punctuation—an intimate verb in a sentence of public life. The black‑and‑white treatment strips color away and leaves only texture, line, and contrast: denim and skin, bracelets and a tattoo, the soft geometry of fingers against the hard geometry of the street. The image reads as both a private promise and a public act, a moment of tenderness that insists on being seen without demanding explanation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69996628ec0bd71c0e85cb73/2f1281c4-5194-4b23-b2e2-1b80f41fe529/Jean-Francois_Cleroux-8029-2022.jpg</image:loc>
      <image:title>Flâneur’s Journal - Micro‑Missions for Better Seeing - Evening Measure</image:title>
      <image:caption>© Jean-Francois Cleroux | Paris, France His weathered hands hold the game like a small, private liturgy: three worn pétanque boules cupped in skin that remembers seasons. The late light slips across metal and knuckle, turning scuffs into a map and the faint dents into punctuation marks of past throws. In that narrow plane between palm and ball the world contracts—years of aim, laughter, argument, and patience—until the object is less a tool than a biography you can hold.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/how-to-approach-a-scene-without-forcing-it</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69996628ec0bd71c0e85cb73/f28fa509-32e5-4925-8f76-bbf78ba00ea6/Jean-Francois_Cleroux-JFC-20240517-_DSF4764.jpg</image:loc>
      <image:title>Flâneur’s Journal - How to approach a scene without forcing it. - Casual company, private thoughts</image:title>
      <image:caption>This image of two men arguing along the banks of the Seine was one of those perfect serendipitous moments. I boarded the short river cruise expecting little more than a few photographs of the Eiffel Tower, but the river had other plans. The banks were alive with scenes—people sunning themselves, others reading, teenagers gathering for a drink. Then came these two men, locked in a loud argument. As I raised my camera, one of them made a hand gesture shaped like a gun, and the other’s eyes widened in response. Behind them, almost absurdly gentle in contrast, a young hand held up a small plant—an accidental symbol of peace against the tension of the moment. These varied, unlooked‑for collisions of gesture and meaning are what make street photography so endlessly surprising.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/within-the-frame-cradle-trigger</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69996628ec0bd71c0e85cb73/1771829637362-GKJVSA435MXZUADZRCER/FrancoisCleroux-MG_2723E--2.jpg</image:loc>
      <image:title>Flâneur’s Journal - Within the Frame #01: Cradle &amp;amp; Trigger</image:title>
      <image:caption>© Jean-Francois Cleroux | Paris, France</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/streetphotographers-lexicon-urbopoetics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-09</lastmod>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/flaneurs-lexicon-presence-vs-living-in-the-present</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-09</lastmod>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/live-in-the-present</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69996628ec0bd71c0e85cb73/350dd7c6-c8d8-41b7-ac12-b40c4dee140e/Jean-Francois_Cleroux-Unselfconsciousness-2013.jpg</image:loc>
      <image:title>Flâneur’s Journal - Photograph Without a Plan: Live in the Present - Part 2 of 2 - The Small Business of Being a Child</image:title>
      <image:caption>© Jean-Francois Cleroux She moves through the fountain as if the city has paused for her alone—bare feet skimming shallow water, sunglasses catching the late glare, a small body utterly surrendered to the immediate pleasure of coolness. The heat is a presence you can feel in the sentence of the image; the water answers it with bright arcs and a thousand tiny collisions. In that bright, wet instant she is wholly in the present: laughing without memory, stepping without plan, a human punctuation mark of joy in the middle of urban motion. Photographed, candid, in Frankfurt with her mother’s permission on a day when temperatures climbed well above 100°F. Children live in the present, their attention braided to the moment and often blind to the wider scene.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69996628ec0bd71c0e85cb73/137a2e10-b271-494a-8b23-af4b636d9db8/Jean-Francois_Cleroux-20240517.jpg</image:loc>
      <image:title>Flâneur’s Journal - Photograph Without a Plan: Live in the Present - Part 2 of 2 - Presence vs. Living in the Present</image:title>
      <image:caption>This image of two men arguing along the banks of the Seine was one of those perfect serendipitous moments. I boarded the short river cruise expecting little more than a few photographs of the Eiffel Tower, but the river had other plans. The banks were alive with scenes—people sunning themselves, others reading, teenagers gathering for a drink. Then came these two men, locked in a loud argument. As I raised my camera, one of them made a hand gesture shaped like a gun, and the other’s eyes widened in response. Behind them, almost absurdly gentle in contrast, a young hand held up a small plant—an accidental symbol of peace against the tension of the moment. These varied, unlooked‑for collisions of gesture and meaning are what make street photography so endlessly surprising.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/photowalk-saturday-march-28-2026</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-16</lastmod>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/embracing-serendipity-on-the-streets</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69996628ec0bd71c0e85cb73/411fea24-7a57-408a-ac09-38fb621c76b6/Jean-Francois_Cleroux-Pedestal-Pause_2022.jpg</image:loc>
      <image:title>Flâneur’s Journal - Photograph Without a Plan: Embracing Serendipity on the Streets - Part 1 of 2 - Pedestal Pause</image:title>
      <image:caption>© Jean-Francois Cleroux A small stage in the city: a figure perched on a striped pedestal, trench coat falling like a curtain, cup raised in a private ritual; nearby, another body bends toward a glowing phone, smiling at a moment only she can see. The plaza’s geometry—windows, dashed lines, the ordered pavement—frames their quiet dissonance: one posed in stillness, one absorbed in a tiny screen of light. In black and white the scene becomes a short poem of contrasts—stance and motion, public architecture and private attention—each element a line that insists on being read slowly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69996628ec0bd71c0e85cb73/1771829637362-GKJVSA435MXZUADZRCER/Francois-Cleroux_Cradle-and-Trigger.jpg</image:loc>
      <image:title>Flâneur’s Journal - Photograph Without a Plan: Embracing Serendipity on the Streets - Part 1 of 2 - Cradle &amp; Trigger</image:title>
      <image:caption>This image of two men arguing along the banks of the Seine was one of those perfect serendipitous moments. I boarded the short river cruise expecting little more than a few photographs of the Eiffel Tower, but the river had other plans. The banks were alive with scenes—people sunning themselves, others reading, teenagers gathering for a drink. Then came these two men, locked in a loud argument. As I raised my camera, one of them made a hand gesture shaped like a gun, and the other’s eyes widened in response. Behind them, almost absurdly gentle in contrast, a young hand held up a small plant—an accidental symbol of peace against the tension of the moment. These varied, unlooked‑for collisions of gesture and meaning are what make street photography so endlessly surprising.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/flaneurs-lexicon-modern-flaneur</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-03</lastmod>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/street-poets-lexicon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-03</lastmod>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/finding-time-to-create-again</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-19</lastmod>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Creativity+%26+Process</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Editing+%26+Curation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Flaneur</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Theory+%26+Criticism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/The+Evolving+Photographer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Creative+Practice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Workshops+%26+Meetups</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Techniques+%26+Tutorials</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Art+%26+Photography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Poetry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Photography+Education</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Learning+%26+Resources</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Art+of+Seeing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Photowalks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Creative+Growth+Series</loc>
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  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Fl%C3%A2nerie</loc>
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  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Selection+Advice</loc>
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  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Ethics+%26+Practice</loc>
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  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Creative+Growth</loc>
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  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Practice+%26+Technique</loc>
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  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Tutorials+%26+Exercises</loc>
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    <priority>0.5</priority>
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  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Street+Photography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Essays+%26+Reflections</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Photography+Practice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Street+Poets+Lexicon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.cleroux.com/flaneurs-journal/category/Life</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
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